Asterisk denotes entries on real places.
This setting underscores the typical upper-middle-class home in which American affluence presumes American moral superiority. However, in this place the truths that are revealed transform it from a haven of moralization to the place of Keller’s demise. Thus it fulfills playwright Arthur Miller’s intention of suggesting that all Americans who put business above personal integrity demonstrate a lack of moral integrity.
Keller’s house. Throughout the play, characters enter the house to avoid the intensity of the discussions and potential revelations occurring in the backyard. The interior of the house thereby becomes a place in which secrets are nourished, while the backyard is a place of revelation.
Prison. Offstage location. Annie’s father, a former business associate of Joe Keller, is in prison for his role in making faulty airplane parts. Though offstage, the prison exists prominently in the minds of the characters, prompting justification on the part of Joe Keller and denial on the part of his wife. It also represents the place to which Joe Keller will go, once the truth about his own complicity is discovered and he is expelled from his comfortable house and yard.
*New York City. The American city suggesting wealth and business, it is seven hundred miles from the setting of the play. Its distance and prominence as a great center of American business contrast with the suburban life of the Kellers. It is also the place in which Annie and her brother choose to live after their father goes to prison, so it serves as a temporary escape from the scrutiny of the neighbors in their former neighborhood.