Last reviewed: June 2018
American short-story writer and poet
August 25, 1836
Albany, New York
May 6, 1902
Camberley, Surrey, England
Francis Bret Harte, who attained fame with two short stories and a humorous poem, is best known in literary history for his short stories of the West. Of Jewish, Dutch, and English descent, Bret Harte was born in Albany, New York, in 1836. His indigent parents moved from city to city in the East until, after the death of the father, his mother remarried and moved to California; Harte and his sisters followed her, and during the next few years he was engaged in school teaching, typesetting, mining, politics, and finally journalism. Bret Harte
In 1857, Harte became a typesetter on the Golden Era in San Francisco. Though serving in a nonliterary capacity, he wrote poems and local-color sketches on the side, and in 1865 he edited a book of Western verse, Outcropping. In 1868, he was made editor of the newly founded Overland Monthly in San Francisco. The second issue contained his story “The Luck of Roaring Camp,” and in January, 1869, “The Outcasts of Poker Flat” appeared in the same magazine. Though both caught the approving attention of readers in the East, the accidental publication of his poem “Plain Language from Truthful James” (familiarly known as “The Heathen Chinee”) produced his greatest popularity. It resulted in an offer, which he accepted, of $10,000 to write for The Atlantic Monthly for a year, and in 1871 he left for the East. The volume East and West Poems appeared that same year. However, his work soon declined in popularity, and, running into debt after the failure of a magazine venture, he entered the United States consular service. After posts in Germany and Scotland, he lost his political appointment in 1885 and moved to London, where he remained, isolating himself from his past, until he died at Camberley, Surrey, on May 5, 1902.
Harte’s prose works as well as his verse tend toward the melodramatic, and they are often poorly constructed. However, Harte provided a sentimental point of view of the West that suited contemporary preconceptions among Eastern and British readers. Despite the criticism leveled at it, Harte’s sentimental depiction of the West became a standard that lasted far beyond his lifetime. Some of his stories and characters were the original models for the stereotype features that were copied in thousands of subsequent Western novels and filled hundreds of Saturday-afternoon film screens. Along with artists such as Frederick Remington and Charles Russell, Harte created an American West that found favor around the world for generations. The works of these men continue to influence many later writers and artists who draw on images of the West.