Long Fiction:
L’Autre Monde: Ou, Les États et empires de la lune et du soleil, 1656-1662 (Comical History of the States and Empires of the Worlds of the Moon and Sun, 1687; also known as Other Worlds: The Comical History of the States and Empires of the Moon and the Sun, 1965; includes Histoire comique des états et empires de la lune, 1656 [Comical History of the States and Empires of the Moon; also known as The Government of the World in the Moon, 1659], and Histoire comique des états et empires du soleil, 1662 [Comical History of the States and Empires of the Sun])
Drama:
La Mort d’Agrippine, pr. 1653
Le Pédant joué, pb. 1654
Nonfiction:
Contre les Frondeurs, 1651
Lettres, 1654 (Satyrical Characters and Handsome Descriptions in Letters, 1658)
Miscellaneous:
Cyrano de Bergerac: Œuvres complètes, 1977 (Jacques Prévot, editor).
Savinien de Cyrano de Bergerac (seer-ah-noh duh behr-zhuh-rahk) was born in Paris in 1619. His father was a lawyer. He was educated in Paris and joined the French army after the end of his studies. Factual information about his life is not extensive, but it appears that a battle injury put an end to his military career. He apparently studied under the free-thinking philosopher Pierre Gassendi, and this transformed Cyrano de Bergerac into an atheist. He died in 1655. The cause of his death is not clear; legend has it that he may have been killed.
He wrote only two plays. His farce, Le Pédant joué (the pedant outwitted), and his tragedy, La Mort d’Agrippine (the death of Agrippina), enjoyed only modest success, and they have fallen into justly deserved oblivion. He owes his fame to just one work: his novel Comical History of the States and Empires of the Moon, published posthumously in 1656 in a highly censured version. Henri Lebret systematically eliminated from Cyrano’s manuscript all religious and social criticism. The sequel, Comical History of the States and Empires of the Sun, was published in 1662. As published, the two parts were extremely boring and frequently incoherent. Readers thought that Cyrano de Bergerac was a very poor writer, and they only remembered his praise of people with large noses in his Comical History of the States and Empires of the Moon. Cyrano was almost completely forgotten until the performance in 1897 of Edmond Rostand’s incredibly popular drama Cyrano de Bergerac. Rostand presented his title character as a sentimental but sad lover. Cyrano’s speech in praise of large noses became immensely popular and has been parodied numerous times in many different languages.
In the early twentieth century, manuscripts of Cyrano’s Comical History of the States and Empires of the Moon were discovered in libraries in Paris and Munich, and this novel was finally published in 1921 as Cyrano de Bergerac had actually written it. No manuscript has ever been found for his Comical History of the States and Empires of the Sun, and its inferiority to its predecessor is obvious, but readers should remember that the published version of this sequel does not represent Cyrano’s intentions. Scholars have wisely discussed his Comical History of the States and Empires of the Moon only in editions based on the Paris and Munich manuscripts.
In this novel, Dyrcona (an anagram for “Cyrano de”) travels to the moon from Quebec City and encounters a utopian society in which all the injustices in European society have disappeared. On the moon, complete religious tolerance exists, and the inhabitants of the moon simply pray to the almighty and do not attempt to enter into theological disputes. Dyrcona assures the reader that he met several major characters from the Old Testament, and he presents them in such an unfavorable light that it is not surprising that Lebret eliminated Cyrano’s rather offensive comments. Cyrano presents a completely mechanistic view of the universe that is incompatible with a belief in God. He argues that there is no reason to believe that God created the universe because of his conviction that there is a purely logical explanation for everything that exists. Cyrano ridiculed key religious tenets, such as the Christian belief in the immortality of souls. He argues that because cabbages are mistreated by humans who eat them, God should grant immortality to cabbages. He reduces serious discussions on whether one’s soul is immortal to the absurd. It is obvious that no one cares whether cabbages are immortal, but Cyrano strongly suggests that the immortality of souls is equally insignificant.
There is more to his Comical History of the States and Empires of the Moon than a systematic and heavy-handed attack against Christianity. Cyrano also demonstrates a great deal of wit. On earth, many poets are poor, but this is not the case on the moon. Customers pay for their meals in restaurants by writing poems. Restaurant owners hire critics who evaluate poems. The finer the poem, the more the customer can eat. Cyrano also includes praise of people with large noses such as himself. Parents on the moon are greatly depressed if their babies have small noses, but their neighbors congratulate them if their babies have extremely large noses. Cyrano also mocks human vanity by arguing that it is more dignified to walk on all fours than to walk upright as humans do. His Comical History of the States and Empires of the Moon is a witty satire in which he uses humor and parody to make his attack against Christianity more acceptable to his readers. It is unfortunate that his literary reputation suffered for more than 250 years, but the fortuitous discovery in the early twentieth century of manuscript of his Comical History of the States and Empires of the Moon enabled readers to appreciate not only his refined wit and parody but also his social and religious criticism. Scholars now realize that Cyrano de Bergerac was one of the major free thinkers in early European literature.