Authors: Edward Bulwer-Lytton

  • Last updated on December 10, 2021

English novelist

Author Works

Long Fiction:

Falkland, 1827

The Disowned, 1828

Pelham: Or, The Adventures of a Gentleman, 1828

Devereux: A Tale, 1829

Paul Clifford, 1830

Eugene Aram, 1832

Godolphin, 1833

The Last Days of Pompeii, 1834

Rienzi, the Last of the Roman Tribunes, 1835

Ernest Maltravers, 1837

Leila: Or, The Siege of Granada, 1837

Alice: Or, The Mysteries, 1838

Zanoni, 1842

The Last of the Barons, 1843

Harold, the Last of the Saxons, 1848

The Caxtons: A Family Picture, 1849

My Novel, 1852

What Will He Do with It?, 1859

A Strange Story, 1861

The Coming Race, 1871

Kenelm Chillingly: His Adventures and Opinions, 1873

The Parisians, 1873

Short Fiction:

“The Haunted and the Haunters,” 1857

Drama:

The Duchess de la Vallière, pb. 1836

The Lady of Lyons: Or, Love and Pride, pr., pb. 1838

Richelieu: Or, The Conspiracy, pr., pb. 1839

The Sea-Captain: Or, The Birthright, pb. 1839

Money, pr., pb. 1840

Dramatic Works, pb. 1841

Not So Bad as We Seem: Or, Many Sides to a Character, pb. 1851

The Captives: A Previously Unpublished Play, pr., pb. 2000 (adaptation of Plautus’s Captivi)

Poetry:

The New Timon, 1846

King Arthur: An Epic Poem, 1848-1849, 1870

Nonfiction:

England and the English, 1833

Letters to John Bull, Esquire, 1851

Biography

Edward George Earle Bulwer-Lytton came from a prominent family; his father was General William Earle Bulwer and his mother, Elizabeth Barbara Lytton, had been a great heiress. After his father died in 1807, his mother moved the family from their estate in Norfolk to London. Bulwer’s mother wished to send him to Eton, but he preferred and was permitted to have his education under tutors who prepared him for Trinity College, Cambridge, where he took bachelor’s and master’s degrees and graduated in 1826. Later, both his own university and Oxford granted him honorary degrees. Long before leaving the university, Bulwer established himself as a dandy in London and published poetry written in a flamboyant, Byronic fashion. In 1825, he was awarded the Chancellor’s medal for poetry, but he does not seem to have had a serious intention of becoming a writer, much less of earning a living by his pen. In his late teens, he fell in love with a young woman whose father forced her into an early marriage with another man; her subsequent death left a deep impression on Bulwer.{$I[AN]9810000238}{$I[A]Bulwer-Lytton, Edward[Bulwer Lytton, Edward]}{$S[A]Lytton, Edward Bulwer-Lytton, first earl of;Bulwer-Lytton, Edward}{$I[geo]ENGLAND;Bulwer-Lytton, Edward[Bulwer Lytton, Edward]}{$I[tim]1803;Bulwer-Lytton, Edward[Bulwer Lytton, Edward]}

Edward Bulwer-Lytton

(Library of Congress)

In August, 1827, Bulwer married a beautiful but poor young Irish woman named Rosina Doyle Wheeler. His mother, who was bitterly opposed to the match, stopped her son’s allowance. Finding himself without an income, Bulwer turned to writing and within the year had published his first novel, Falkland. His first great success came with Pelham in 1828, a novel that many people read with the hope of identifying the originals of the characters whom Bulwer had drawn from the world of the fashionable in England. With the publication of Pelham, Bulwer acquired a great popular reputation; thereafter, his novels sold readily, and his poetry, though it was undistinguished, found readers. From this time on, he wrote one or two novels a year. Individually, his novels did not sell as widely as those of his most prominent competitors, William Makepeace Thackeray and Charles Dickens, but his total output was certainly as popular as theirs, possibly more so. Bulwer had no choice but to write, for he and his wife lived extravagantly, but he often wrote under great pressure. In addition, he found time to enter politics, successfully standing for Parliament on a reform ticket in April, 1831. He remained in Parliament for ten years. In his private life, Bulwer was not as fortunate. His wife, from whom he separated in 1836, came to dislike him so thoroughly that she caricatured him in a novel of her own entitled Cheveley (1839). After she was declared insane, the two children of the marriage spent most of their years in the custody and household of their father.

In 1838, Bulwer was made a baronet, and in 1843 he inherited his maternal grandfather’s estate, Knebworth. At the same time, he changed his name to the hyphenated Bulwer-Lytton. He also changed his politics and stood again for Parliament, this time as a Conservative candidate and once again successfully. He also served briefly, in 1858-1859, as colonial secretary, and in 1866 he was elevated to the peerage and became Baron Lytton of Knebworth. Shortly afterward, he retired from public life.

Even during the years of his marriage and political activity, Bulwer-Lytton continued his prolific writing career. In his novel-writing, he turned to works characterized by themes of crime, violence, and social justice. His first novel in this vein was Paul Clifford, published in 1830. One of his most famous novels in this category, Eugene Aram, involves both a murder and a motivation for the crime which the author tried to make so understandable and logical that the reader’s sympathies would be aroused for the criminal. Then, beginning with The Last Days of Pompeii, Bulwer-Lytton wrote a series of exotic historical romances. After this work, which presents both paganism and early Christianity, he published novels based on Continental and British history. Rienzi gives a picture of mid-fourteenth century Rome, Leila presents Spain during Moorish days, The Last of the Barons is set in the time of the War of the Roses, and Harold deals with the period just prior to the Norman Conquest. These historical romances were written after a careful preparation by the author, and they emphasize characterization, background, and style rather than action. Unlike most other writers of historical novels, Bulwer-Lytton actually used great historical figures as his chief characters.

In addition to his historical novels, he wrote fiction concerned with the fantastic, the supernatural, and the terrifying. Zanoni is the story of a weird set of adventures occurring over the centuries to a human being temporarily granted immortality. In The Caxtons, Bulwer-Lytton turned to the depiction once again of contemporary British life, but in The Coming Race, one of his last productions, he created a utopian fantasy and pioneered science fiction. Although he is no longer remembered as such, in his own lifetime Bulwer-Lytton was a successful dramatist as well as a novelist. Three of his plays, extremely popular in their time, were The Lady of Lyons, Richelieu, and Money.

As a writer, Bulwer-Lytton once enjoyed a great popularity, but other writers, among them Thackeray, were often critical, even satirical, of his work. Although he resented the adverse criticism of his work, he managed to stay on friendly terms with critics and fellow writers, and he knew almost all the literary men of Victorian England. He died while he was still active as a writer.

In 1982, Bulwer-Lytton’s fame was renewed but his reputation damaged with the institution of the annual Bulwer-Lytton Fiction Contest, which challenges writers to compose an opening sentence to the worst possible novel. The contest was inspired by the novelist’s first line in Paul Clifford, which begins “It was a dark and stormy night . . . ”

BibliographyCampbell, James L., Sr. Edward Bulwer-Lytton. Boston: Twayne, 1986. This accessible critical and biographical overview of Bulwer-Lytton’s life and literary career emphasizes his fiction and pays comparatively little attention to his dramas.Christensen, Allan Conrad. Edward Bulwer-Lytton: The Fiction of New Regions. Athens: University of Georgia Press, 1976. This critical study focuses chiefly on Bulwer-Lytton’s novels. Aimed at presenting him as a dedicated artist rather than a facile opportunist, it traces the literary development of his aesthetic ideas and philosophical ideals.Eigner, Edwin M. The Meta-physical Novel in England and America: Dickens, Bulwer, Melville, and Hawthorne. Berkeley: University of California Press, 1978. Focuses on specific aspects of Bulwer-Lytton’s fiction.Escott, T. H. Edward Bulwer: First Baron Lytton of Knebworth. Port Washington, N.Y.: Kennikat Press, 1970. This reprint of a 1910 monograph considers personal, social, and political aspects of Bulwer-Lytton’s many-sided career, especially his involvement with Victorian Tory government.Lytton, Victor A. The Life of Edward Bulwer, First Lord Lytton. 2 vols. London: Macmillan, 1913. Written by a family member, this detailed biography quotes extensively from Bulwer-Lytton’s letters and journals as well as from other primary sources. Many plates appear in the handsomely produced two volumes.Mulvey-Roberts, Marie. Gothic Immortals: The Fiction of the Brotherhood of the Rosy Cross. New York: Routledge, 1989. A look at the Occultism and the gothic aspects of the fiction of Bulwer-Lytton and William Godwin. Bibliography and index.Oakley, J. W. “The Reform of Honor in Bulwer’s Pelham.” Nineteenth Century Literature 47 (1992). Focuses on specific aspects of Bulwer-Lytton’s fiction.Sadleir, Michael. Bulwer: A Panorama. Boston: Little, Brown, 1931. In this first and only volume of a projected but unfinished longer study, Sadleir covers Bulwer-Lytton’s life and writings to 1836. Effective analysis of early works blends with an insightful biography solidly grounded in the contexts of Regency and early Victorian society.Snyder, Charles W. Liberty and Morality: A Political Biography of Edward Bulwer-Lytton. New York: Peter Lang, 1995. A biography of Bulwer-Lytton that focuses on his politics and social views. Bibliography and index.Wolff, Robert Lee. Strange Stories and Other Explorations in Victorian Fiction. Boston: Gambit, 1971. Focuses on specific aspects of Bulwer-Lytton’s fiction.Zipser, Richard A. Edward Bulwer-Lytton and Germany. Berne, Switzerland: H. Lang, 1974. From the series German Studies in America.
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