Authors: Fanny Burney

Burney was largely self-educated; she was considered the “dunce” of the family because at age eight she still could not make out the letters of the alphabet, so when her older and next younger sisters were sent to Paris for school, she was left to her own devices at home. Despite her difficulty with letters, which psychoanalyst Kathryn Kris has attributed to “a form of dyslexia,” she did eventually teach herself to read. With her sisters away and her father providing limited supervision, she began working her way through her father's library, availing herself not only of the works of poetry and moral instruction that were deemed suitable for young women, but also of the romantic novels that were not.

Burney later claimed to have started writing stories as soon as she learned to read; whether or not this is true, by the time of her fifteenth birthday (the year her father remarried), she had built up a significant body of work, including a novel she called “The History of Caroline Evelyn,” aspects of which would later reappear in her first published novel, Evelina; or, The History of a Young Lady's Entrance into the World (1778). However, Burney was conflicted about her writing—respectable young English women of the time were not supposed to read novels, much less write them—and at age fifteen, she burned all of her writing in a bonfire in the yard. She began writing again soon after, starting the journals that she would keep throughout the rest of her life; much of her early journal writing shows evidence of experimenting with different writing styles, prompting biographer Claire Harman to suggest that the act of destruction “could thus have had more to do with a resolve to write differently rather than not write at all.” She also began working on a new manuscript, in secret.

That manuscript became Evelina, which Burney published at age twenty-six. She did so anonymously, fearing the disapprobation she would receive as a female author. The novel's picture of contemporary society was an immediate success, however, and once Burney's identity was revealed, her narrative of the advancement of a charming protagonist of obscure birth and humble surroundings to a position of social prominence obtained for her the friendship and admiration of Dr. Samuel Johnson and a place in the intellectual life of London.

Burney's second novel, Cecilia; or, Memoirs of an Heiress (1782), was salvaged from the material of a rejected drama, The Witlings, which she had written the year after Evelina was published. Cecilia enjoyed less success, but it and Evelina helped establish a new genre: the novel of manners. In 1786, Burney accepted the position of lady-in-waiting to the queen, but the honor proved distasteful to her and she retired from the court in 1791.

In 1793 Burney married Alexandre d’Arblay, a refugee from France; a son, Alexander, was born in the following year. After d’Arblay reawakened his wife’s interest in writing, Burney produced Brief Reflections Relative to the Emigrant French Clergy (1793), a politicosocial pamphlet; Edwy and Elgiva (1795), a blank verse tragedy that failed after one performance; the novel Camilla; or, A Picture of Youth (1976), the proceeds of which funded the construction of a house in Surrey, which Burney and her husband named Camilla Cottage; and a comedy, Love and Fashion (wr. 1798–99), which was scheduled to premiere at the Covent Garden Theatre in 1800 but was pulled after the death of Burney's sister Susanna.

Between 1802 and 1812, Burney and her husband lived in Paris, during which time she was diagnosed with breast cancer and underwent a mastectomy. In 1814, she published The Wanderer; or, Female Difficulties, which sold well but was poorly reviewed. She then followed her husband to Waterloo in 1815, where the Seventh Coalition fought and defeated Napoleon Bonaparte's army, and in Brussels tended the wounded of that battle; she left a vivid account of this experience in her diary. D’Arblay, who had been wounded in the engagement, was promoted to lieutenant general and made a count by Louis XVIII—thereby making Burney a countess—and then was permitted to retire to England, where he died in 1818. Afterward Burney occupied herself with editing the journals of her father, who had died in 1814, to produce the three-volume work Memoirs of Doctor Burney (1832). Her son died of influenza in 1837, three years before Burney's own death.

The discovery that the author of Evelina was a woman created a sensation at the time, for while Burney was by no means the first female novelist, she was the first to write successfully on a serious level. Dr. Johnson praised Evelina and reported that he could not put it down; he had whole scenes of it by heart and considered that one of the characters had never been “better drawn anywhere—in any book by any author.”