Up Pops the Devil, 1931 (with Albert Hackett)
The Secret of Madame Blanche, 1933 (with Hackett)
Penthouse, 1933 (with Hackett, Leon Gordon, and Hugo Butler)
Fugitive Lovers, 1934 (with Hackett and George B. Seitz)
The Thin Man, 1934 (with Hackett; adaptation of Dashiell Hammett’s novel)
Hide-out, 1934 (with Hackett)
Chained, 1934 (with Hackett)
Naughty Marietta, 1935 (musical; with Hackett and John Lee Mahin; adaptation of Victor Herbert and Rida Johnson Young’s operetta)
Ah, Wilderness!, 1935 (with Hackett; adaptation of Eugene O’Neill’s play)
Rose Marie, 1936 (with Hackett and Alice Duer Miller)
Small Town Girl, 1936 (with Hackett, Mahin, and Edith Fitzgerald)
After the Thin Man, 1936 (with Hackett; adaptation of Hammett’s fiction)
The Firefly, 1937 (with Hackett)
Thanks for the Memory, 1938 (with Hackett)
Another Thin Man, 1939 (with Hackett; adaptation of Hammett’s fiction)
Society Lawyer, 1939 (with Hackett)
Doctors at War, 1943 (with Hackett)
Lady in the Dark, 1944 (with Hackett; adaptation of Moss Hart’s play)
The Hitler Gang, 1944 (with Hackett)
The Virginian, 1946 (with Hackett; adaptation of Owen Wister’s novel)
It’s a Wonderful Life, 1946 (with Hackett and Frank Capra; adaptation of a Philip Van Doren short story)
The Pirate, 1948 (musical; with Hackett; songs by Cole Porter; adaptation of S. N. Behrman’s play)
Summer Holiday, 1948 (musical; with Hackett; adaptation of O’Neill’s play Ah, Wilderness!)
Easter Parade, 1948 (musical; with Hackett and Sidney Sheldon; songs by Irving Berlin)
In the Good Old Summertime, 1949 (musical; with Hackett and Ivan Tors; adaptation of the film The Shop Around the Corner)
Father of the Bride, 1950 (with Hackett; adaptation of Edward Streeter’s novel)
Father’s Little Dividend, 1951 (with Hackett)
Too Young to Kiss, 1951 (with Hackett)
Give a Girl a Break, 1954 (musical; with Hackett; songs by Ira Gershwin and Burton Lane)
Seven Brides for Seven Brothers, 1954 (musical; with Hackett and Dorothy Kingsley; songs by Johnny Mercer and Gene DePaul; adaptation of Stephen Vincent Benét’s short story “The Sobbin’ Women”)
The Long, Long Trailer, 1954 (with Hackett)
Gaby, 1956 (with Hackett and Charles Lederer; adaptation of the film Waterloo Bridge)
A Certain Smile, 1958 (with Hackett; adaptation of Françoise Sagan’s novella)
The Diary of Anne Frank, 1959 (with Hackett; adaptation of Goodrich and Hackett’s play)
Five Finger Exercise, 1962 (with Hackett; adaptation of Peter Schaffer’s play)
Up Pops the Devil, pr. 1930 (with Albert Hackett)
The Great Big Doorstep, pr. 1942 (with Hackett)
The Diary of Anne Frank, pr. 1955 (with Hackett; adaptation of Anne Frank’s diary)
It Happened One Christmas, 1977 (with Hackett)
The Diary of Anne Frank, 1980 (with Hackett; adaptation of Goodrich and Hackett’s play)
Frances Goodrich, born in Belleville, New Jersey, on December 21, 1890, was the second of five children born to Madeleine Christy Lloyd and Henry Wickes Goodrich. In 1893 the Goodriches moved to Nutley, New Jersey, where Frances grew up. She graduated from Vassar College in 1912, subsequently attended the School of Social Service, and shortly thereafter took up acting, appearing in plays such as Come out of the Kitchen (1916). Goodrich also began writing and in 1928 asked another actor, Albert Maurice Hackett, to help her with a script; thus they began to collaborate on screenplays–a partnership that lasted until they wrote their final screenplay together in 1962, Five Finger Exercise. After 1962, the only two works of Goodrich and Hackett are two teleplay adaptations: It Happened One Christmas and The Diary of Anne Frank.
Frances Goodrich enjoyed an enormously successful professional and personal relationship with Albert M. Hackett. They collaborated on thirty-five screenplays. Goodrich and Hackett married on February 7, 1931, and their very happy union lasted until Goodrich’s death in 1984. The marriage was Goodrich’s third and Hackett’s first. Goodrich’s first marriage was to actor Bob Ames on May 3, 1917. Her second marriage was to historian and author Hendrik Willem van Loon, on October 11, 1927. This marriage proved to be brief, lasting only two years; in fact, the incompatible couple lived apart throughout their marriage, keeping separate apartments.
Author David L. Goodrich, Frances’s nephew, attributes Goodrich’s willingness to marry van Loon to her loneliness and to the historian’s incessant and ardent pursuit of her.
Goodrich and Hackett received four nominations for Academy Awards, for The Thin Man, After the Thin Man, Father of the Bride, and Seven Brides for Seven Brothers. In 1956 Goodrich’s and Hackett’s play The Diary of Anne Frank earned for them a Pulitzer Prize in drama as well as the Antoinette Perry Award, the New York Drama Critics Circle Award, and the Laurel Award. Easter Parade and Father’s Little Dividend earned for them the Writers Guild Award for Best Comedy, and Seven Brides for Seven Brothers garnered the Writers Guild Award for Best Musical.
Although Goodrich and Hackett were considered a comedic writing team, they are best known for their play The Diary of Anne Frank. Their adaptation of Anne Frank’s Het Achterhuis (1947; The Diary of a Young Girl, 1952) is moving and proved to be an enormous success, yet it also received some criticism. Authors Meyer Levin and Ralph Melnick attacked the drama, asserting that Goodrich and Hackett’s play strips Frank of her Jewish heritage, universalizing the plight of the teenage girl hiding in the annex. Levin claimed that the play was more concerned with popularity and box office sales than with dramatizing the true story. Goodrich and Hackett’s play was written after Levin’s version had proven unacceptable to writers and producers; Levin also accused Goodrich and Hackett of plagiarism, although he and the Goodrich-Hackett team had drawn from the same source–Frank’s diary. Goodrich and Hackett earned much praise and the aforementioned awards for the play. It is noteworthy that Goodrich and Hackett had already established an excellent reputation before they embarked on their adaptation of the diary.
It’s a Wonderful Life, authored by Goodrich, Hackett, and film producer Frank Capra, had lukewarm success in its day but later became a huge success. It is shown often on television during the holiday season. Goodrich and Hackett penned three screenplays in their Thin Man series, a collection of films that exemplify the industry in its heyday of the 1930’s. The novel upon which the films were based was written by talented author Dashiell Hammett, yet it was Goodrich and Hackett who created the delightful dialogue and who developed in greater depth the charming and humorous main characters, Nick and Nora Charles. The careers of actors such as William Powell, Myrna Loy, and others benefited from their working in Goodrich-Hackett films because the talented screenwriting team provided witty dialogue, developed characters, and enjoyable films. Because of their acting experience, Goodrich and Hackett proved adept at creating realistic scenes.