Asterisk denotes entries on real places.
Walden
God’s little acre. Constantly shifting parcel of the Walden farm that TyTy dedicates to God. In a none-too-pious concession to his Christian beliefs, TyTy dedicates one acre of his land to God but regularly negates the gesture by reassigning the acre whenever it stands in the path of his gold-digging work. The acre represents TyTy’s belief that there is within him “some aspect of God.” As he shifts the parcel around, however, he devastates more and more of the land. TyTy moves the acre each time he, his sons, and the African American workers start a new hole. The final time that he moves the acre is after his son Buck shoots Jim Leslie. Wanting to ensure that Buck will be on God’s land as he walks away from the killing, TyTy wishes that the acre will follow Buck everywhere he walks that evening.
*Augusta. Georgia city, close to the South Carolina border, where TyTy’s son, the cotton broker Jim Leslie, has a fine home and an upper-class wife. It is a place where temptations as well as opportunities beckon. Financial gratifications are also to be gotten there: Jim Leslie gives his father money that will ease some of the constraints on the family. On the other hand, Jim Leslie develops an unwholesome interest in Buck’s wife Griselda. The family leaves Augusta fairly quickly, once they are given money by Jim Leslie. That they go to Augusta only rarely and stay there only briefly is indicative of a reluctance to leave the familiarity of their farm to attempt a different, more promising approach to life.
Scottsville. Cotton mill town in Horse Creek Valley, in South Carolina near the Georgia border. TyTy’s daughter Rosamond lives here in a company house with her union-activist husband Will Thompson. Will is killed at the mill trying to force the mill management to reopen after a lockout. Erskine Caldwell worked in a mill and was well aware of the hardscrabble lives endured by the workers. Horsecreek Valley is also mentioned in Caldwell’s Tobacco Road (1932).
Rosamond and Will’s home. Small company house in which the couple lives throbs with the sexual tension between Will and Rosamond’s sister Darling Jill. As the unfettered emotions of the girl build to the predictable climax, they are matched by the increasing violence among the mill workers and the mill owners.