Authors: Israel Joshua Singer

  • Last updated on December 10, 2021

Polish-born American novelist

Identity: Jewish

Long Fiction:

Shtol un ayzh, 1927 (Blood Harvest, 1935; also known as Steel and Iron, 1969)

Yoshe Kalb, 1932 (The Sinner, 1933)

Di brider Ashkenazi, 1936 (The Brothers Ashkenazi, 1936)

Khaver Nakhman, 1938 (East of Eden, 1939)

Di mishpokha Karnovsky, 1943 (The Family Carnovsky, 1943)

Short Fiction:

Perl, un andere dertseylungen, 1922

The River Breaks Up: A Volume of Stories, 1938


Fun a velt vos iz nishto mer, 1946 (Of a World That Is No More, 1970)


Israel Joshua Singer, Yiddish writer, was born on November 30, 1893, in Biłgoraj, Poland. The son of a rabbi, he studied the Talmud as a boy, but at seventeen he developed more worldly interests that led him finally to newspaper work. In 1922 he became the Warsaw representative of the Jewish Daily Forward. The paper sent him to Russia in 1926 and made him an editor when he emigrated to the United States in 1934.{$I[AN]9810000046}{$I[A]Singer, Israel Joshua}{$I[geo]POLAND;Singer, Israel Joshua}{$I[geo]UNITED STATES;Singer, Israel Joshua}{$I[geo]JEWISH;Singer, Israel Joshua}{$I[tim]1893;Singer, Israel Joshua}

Perl, un andere dertseylungen, his first volume of stories, was highly successful in Europe, and it was followed by more stories and a book about Russia, but Singer’s reputation rests on three novels: Yoshe Kalb, published in English first as The Sinner and reissued as Yoshe Kalb in 1965; The Brothers Ashkenazi, translated in 1936 and sent through eleven editions before 1939; and East of Eden, translated in 1939. The Brothers Ashkenazi shows the social, economic, and political forces that affect an industrial town in Poland in the course of the nineteenth century and focuses on the contrasting fortunes of twin brothers. The more somber East of Eden traces the desperate careers of the members of a poor, dispossessed family and particularly of the son who turns hopefully to communism, only to be bitterly disillusioned. Often hailed as Singer’s greatest work, Yoshe Kalb treats a homeless wanderer who appears to have two distinctly different personalities. Maurice Schwartz, the great Yiddish actor, wrote and starred in a stage version of the novel. In terms of critical reception and audience reaction, the play was one of the most successful Yiddish dramas ever produced.

Until his death, I. J. Singer was one of the most popular Yiddish writers in America, but after his death, he was overshadowed by his younger brother, Isaac Bashevis Singer, who won the Nobel Prize in Literature in 1978.

BibliographyLandis, Joseph C. “The Brothers Singer: Faith and Doubt.” In Blood Brothers: Siblings as Writers, edited by Norman Kiell. New York: International Universities Press, 1983. Examines autobiographical writing of the two brothers to contrast the ways in which their loss of faith affected them.Madison, Charles A. Yiddish Literature: Its Scope and Major Writers. New York: F. Ungar, 1968. Madison briefly traces Singer’s movement from the Orthodoxy of his childhood toward the secularism of his adult years at the same time that he places him in the context of Yiddish literature and Yiddish authors.Norich, Anita. The Homeless Imagination in the Fiction of Israel Joshua Singer. Bloomington: Indiana University Press, 1991. Treats the cultural tensions that Norich feels inform Singer’s works, placing him in the contexts of Yiddish and American literature and culture.Novak, Estelle Gergoren, and Maximilian E. Novak. “Savinkov: History, Revolution, and the Alienated Hero.” Yiddish 8, no. 2 (1992). Treats one of Singer’s plays as Singer’s reaction to the way in which he felt the Russian Revolution failed to connect its ideals and its methods.Sinclair, Clive. The Brothers Singer. New York: Schocken Books, 1983. Examines the lives of Israel Joshua Singer and his brother Isaac Bashevis Singer.
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