Authors: Michael Chabon

  • Last updated on December 10, 2021

Last reviewed: June 2017

American novelist, short-story writer, columnist, and screenwriter

May 24, 1963

Washington, DC


Often associated by critics with the coterie of young writers who emerged during the mid-1980s—including such figures as Jay McInerney, Tama Janowitz, and Bret Easton Ellis—Michael Chabon (SHAY-bahn) enjoyed national renown following the critical and popular success of his first novel, The Mysteries of Pittsburgh. Chabon earned a BA in English in 1984 from the University of Pittsburgh and an MFA in 1987 from the University of California, Irvine, where he studied under Donald Heiney (MacDonald Harris). Inspired after winning a 1987 Mademoiselle short-story contest, Chabon wrote The Mysteries of Pittsburgh for his master’s thesis. After Heiney sent the manuscript to the literary agent Mary Evans at the Virginia Barber Agency in New York, William Morrow and Company purchased the hard-cover rights for the manuscript during a private auction for $155,000—one of the highest figures ever paid for a first novel.

A Bildungsroman in the tradition of such works as F. Scott Fitzgerald’s This Side of Paradise (1921) and J. D. Salinger’s The Catcher in the Rye (1951), Chabon’s novel focuses on the emotional and romantic evolution of Art Bechstein, whose recent college graduation ushers in the final summer of his youth. The son of a powerful gangster, Art encounters a dizzying array of people during his summer progress, including his namesake, the charming homosexual Arthur Lecomte; the bewitching Francophile Phlox; and Arthur’s best friend, the self-conscious opportunist and figure of legendary proportion, Cleveland Arning. The Mysteries of Pittsburgh finds its narrative strength in Chabon’s lyrical descriptions of Art’s evolution as he examines his conflicting feelings regarding his father’s iniquitous profession while also attempting to reconcile himself with his sexual attractions to both Arthur and Phlox. Although Art emerges from the summer bereft of the friendships that had brought about his personal transformation, the exuberance of Chabon’s prose reveals the first, precarious moments of Art’s incipient adulthood: “When I remember that dizzy summer, that dull, stupid, lovely, dire summer, it seems that in those days I ate my lunches, smelled another’s skin, noticed a shade of yellow, even simply sat, with greater lust and hopefulness—and that I lusted with greater faith, hoped with greater abandon. The people I loved were celebrities, surrounded by rumor and fanfare; the places I sat with them, movie lots and monuments.”

Photograph of author Michael Chabon at a book signing at WonderCon in 2006.



By Charlie Reiman ( [CC-BY-SA-2.0 (], via Wikimedia Commons

A national best seller, The Mysteries of Pittsburgh rewarded Chabon with tremendous critical acclaim, yet the sudden onslaught of fame confronted the introverted Chabon with new, problematic regions of personal exposure in the name of marketing, including a request from The Gap that he model jeans and People magazine’s desire to include him in their annual “50 Most Beautiful People Issue.” During the five years after the publication of his first novel, Chabon divorced his first wife, moved six times, and married Ayelet Waldman. In addition to publishing short stories and essays in such periodicals as The New Yorker, Gentlemen’s Quarterly, and Vogue, Chabon devoted his energies to composing his second novel, tentatively titled “Fountain City,” which eventually became a sprawling manuscript of more than fifteen hundred pages. “Fountain City” traces the story of a group of Utopian dreamers and environmental activists in the transatlantic locales of Florida and Paris.

Struggling under the burden of his unfinished second novel, Chabon published A Model World, and Other Stories, which collected his fictional periodical publications, including his award-winning story from Mademoiselle, “Blumenthal on the Air.” In addition to such stories as “S ANGEL,” “Ocean Avenue,” and “A Model World,” the volume also features a series of short stories that explore the early years of Nathan Shapiro, a young boy who wrestles with the pressures of his parents’ bitter divorce. The sequence concludes with one of Chabon’s most poignant and moving narratives, “The Lost World,” the story of Nathan’s encounters with the tender memories of his lost childhood and the confusing emergence of his youthful sexuality. Douglas Fowler has remarked about the short fiction that “Chabon’s twenty-something protagonists inhabit that peculiar vocational twilight that passes for a modern American Bohemia: a stint in graduate school, jockeying on FM radio, clerking in a bookstore—the arts and the near-arts are their metier.”

In 1993 Chabon abandoned “Fountain City” in favor of a new novel, Wonder Boys, which focuses on the artistic struggles of Grady Tripp, a college creative-writing instructor who attempts to regain control of his life despite his wife’s extramarital affair and a variety of humorous subplots involving a dead dog, a dead boa constrictor, the satin jacket that Marilyn Monroe wore at her wedding to Joe DiMaggio, and a hefty unfinished manuscript. Once a rising literary star—indeed, a “wonder boy”—Tripp finds himself hopelessly unable to write a new novel because of the remarkable strength and success of his earlier works. Afraid of critical failure and the pressures of growing up, Tripp diverts his artistic pursuits by indulging in inconsequential flirtations with female students and various chemical addictions before the manuscript of his unfinished novel, also entitled Wonder Boys, literally explodes from the entropy of his desolate lifestyle.

Wonder Boys was critically well received following its publication in 1995. Chabon said of it: “To me, the book is about the disappointment of getting older and growing up and not measuring up to what you thought, and the world and the people in it not being what you expected. It’s about disillusionment and acceptance.”

After Wonder Boys, Chabon next published another collection of short stories, Werewolves in Their Youth, all set in the Pacific Northwest, which primarily express the theme of failed relationships. The final story in the collection, in the style of pulp horror stories, is credited to a character from Wonder Boys, August Van Zorn.

In 2000, Chabon published The Amazing Adventure of Kavalier and Clay, which won the Pulitzer Prize for fiction and was nominated for the National Book Critics Circle Award and shortlisted for the PEN/Faulkner Award for Fiction. The story of two Jewish cousins who invent a comic book hero, “The Escapist,” who battles Adolf Hitler and fascism, intertwining the heroism of comics and of real life, Kavalier and Clay was almost universally well received despite what some felt to be its excessive length. His venture into young adult fiction, Summerland, was less enthusiastically reviewed, perhaps because he was perceived as one of many “adult” authors who jumped on the children’s fantasy bandwagon in 2002 (others included Clive Barker and Isabel Allende) in the wake of the popularity of J. K. Rowling’s Harry Potter series and Philip Pullman’s unexpected winning of the Whitbread Prize in 2002 for The Amber Spyglass. Summerland wedded the all-American pastime of baseball with figures from classical mythology to the Native American trickster figure Coyote in a story that many saw as a logical progression from the fondness for comic books and other popular culture elements found in Kavalier and Clay. Chabon teamed up with Dark Horse Comics to create a comic book series featuring the Escapist called Michael Chabon Presents the Amazing Adventures of the Escapist, which was published as a quarterly anthology series between 2004 and 2006 and received the 2005 Eisner Award for best anthology. He also published a well-received novella titled The Final Solution in 2004.

Between January and May 2007, Chabon published the fifteen installments of his serialized novel, Gentlemen of the Road, in the New York Times Magazine. The novel was subsequently published in hardcover by Del Rey Books in October of that year. Chabon's detective novel The Yiddish Policemen's Union, a murder mystery, was also published in 2007. That novel imagines an alternate reality in which the newly established State of Israel was destroyed in 1948 and the United States created a temporary settlement for Jewish refugees in Sitka, Alaska, where residents speak Yiddish rather than Hebrew. The Yiddish Policemen's Union won the 2008 Hugo Award for best novel and the 2008 Locus Award for best science fiction novel.

Chabon published his first nonfiction book, a collection of essays titled Maps and Legends, in 2008. A subsequent nonfiction work, called Manhood for Amateurs: The Pleasures and Regrets of a Husband, Father, and Son, appeared in 2009. His 2012 novel, Telegraph Avenue, tells the story of two co-owners of an independent record store, a black man and Jewish man, and their two wives, who operate a midwifery business together. Chabon's next novel, Moonglow, was published in 2016. Chabon described the book as a “faux-memoir” and, in the book's preface, explained, “I have stuck to facts except where facts refused to conform with memory, narrative purpose, or the truth as I prefer to understand it.” Moonglow opens in 1989 with the narrator—also named Michael Chabon—paying a visit to his dying grandfather. As the grandfather loses his lucidity, he begins recounting previously untold tales from his younger years. Moonglow received positive reviews from critics and won the 2017 Sophie Brody Medal for achievement in Jewish literature.

Chabon and his wife, Ayelet Waldman, were the coeditors of the 2017 nonfiction essay collection Kingdom of Olives and Ash: Writers Confront the Occupation, which explores the Israeli occupation of the West Bank and Gaza. Chabon and Waldman both contributed essays to the collection, along with Colum McCann, Jacqueline Woodson, Colm Tóibín, Mario Vargas Llosa, Raja Shehadeh, Assaf Gavron, and Dave Eggers.

Author Works Long Fiction The Mysteries of Pittsburgh, 1988 Wonder Boys, 1995 The Amazing Adventures of Kavalier and Clay, 2000 The Final Solution, 2004 Gentlemen of the Road, 2007 The Yiddish Policeman's Union, 2007 Telegraph Avenue, 2012 Moonglow, 2016 Short Fiction A Model World, and Other Stories, 1991 Werewolves in Their Youth, 1999 Nonfiction Maps and Legends, 2008 Manhood for Amateurs: The Pleasures and Regrets of a Husband, Father, and Son, 2009 Children’s/Young Adult Literature Summerland, 2002 The Astonishing Secret of Awesome Man, 2011 Bibliography Benedict, Elizabeth. “Sorrow at the Mall.” Review of A Model World and Other Stories, by Michael Chabon. The New York Times Book Review, May 26, 1991, 7. In this review of Chabon’s first short-story collection, Benedict praises the author’s narrative skills and descriptive powers. For Benedict, Chabon in the second half of the collection seems to be “delving below the surface of his fluent, astonishingly vivid prose and reaching deeper into his characters.” Binelli, Mark. “The Amazing Story of the Comic Book Nerd Who Won the Pulitzer Prize for Fiction.” Rolling Stone, September 27, 2001. Provides an overview of Chabon’s life and career as well as brief discussion of each of his novels. Cahill, Bryon. “Michael Chabon: A Writer with Many Faces.” Writing! 27, no. 6 (April/May, 2005): 16-20. Presents a detailed examination of Chabon’s developing interests and the inspirations behind many of his works. Chabon, Michael. "Michael Chabon: How to Salvage a 'Wrecked' Novel." Interview by Douglas Gorney. The Atlantic, 29 Dec. 2010, Accessed 28 Apr. 2017. An interview in which Chabon discusses his decision to scrap his manuscript for "Fountain City" and the inspiration to write his novel Wonder Boys. Chabon, Michael. “On The Mysteries of Pittsburgh.” The New York Review of Books, June 9, 2005. Brief history by the author explains the genesis of his first novel and some of the less overt autobiographical elements in the work. Chabon, Michael. “Secret Skin: Superheroes, Escapism, Realism.” The New Yorker, March 10, 2008. Examines the comic-book and superhero genres, with emphasis on the costumes as well as on the ways in which the comic-book medium differs from traditional prose fiction. Discusses the superhero motif in The Amazing Adventures of Kavalier and Clay. Chabon, Michael. “Smashing the Dishes.” Interview by Laurel Graeber. The New York Times Book Review, May 26, 1991, 7. This brief interview focuses on Chabon’s art of storytelling. Basing his stories on “real episodes,” Chabon explains that “you have these gives. But to write an interesting story you have to depart from them.” Includes a photograph of Chabon. Delistraty, Cody. "In 'Moonglow,' Michael Chabon Builds a Scale Model of the Broken World." Review of Moonglow, by Michael Chabon. The New Yorker, 20 Nov. 2016, Accessed 28 Apr. 2017. This review of Chabon's novel Moonglow discusses the semiautobiographical elements of the "faux-memoir novel." Fowler, Douglas. “The Short Fiction of Michael Chabon: Nostalgia in the Very Young.” Studies in Short Fiction 32, no. 1 (Winter, 1995): 75-82. Offers analysis of Chabon’s The Mysteries of Pittsburgh and various of his short stories, with comparisons drawn to F. Scott Fitzgerald’s The Great Gatsby (1925). Giles, Jeff. “He’s a Real Boy Wonder.” Newsweek 125 (April 10, 1995): 76-77. Discusses Chabon’s literary celebrity status in 1988 at the age of twenty-four after the publication of The Mysteries of Pittsburgh, which he wrote as a master’s thesis. Discusses a number of Chabon projects, including screenplays. Munson, Sam. “Slices of Life.” Commentary 115, no. 6 (June, 2003): 67-71. Focuses on Chabon’s editing of the McSweeney’s anthologies as well as on the development of his interests in genre fiction. Perle, Liz. “Alternate Reality: Author Profile of Michael Chabon.” Publishers Weekly, September 24, 2007. Discusses Chabon’s creativity and interest in genre categories, as demonstrated by his novel Gentlemen of the Road. See, Lisa. “Michael Chabon: Wonder Boy in Transition.” Publishers Weekly 242 (April 10, 1995): 44-45. Discusses Chabon’s rise to late 1980’s “brat packer”; in this informal interview, Chabon discusses his struggles with his second novel and the pressures of being a successful young writer.

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