Asterisk denotes entries on real places.
St.
*Chicago. Major midwestern city in Illinois where Father Urban is able to roam with confidence between church rectories, chancelleries, and corporate offices in pursuit of the latest fund-raising opportunity that might benefit the Clementines. The city represents one of the great centers of twentieth century Catholicism during a period when the church was undergoing a major transformation as a result of the flight of great segments of the population from the cities to the suburbs.
St. Clement’s Golf Course. Course that Father Urban arranges to build near the retreat house as a fund-raising vehicle. To Father Urban the course represents the common ground on which the sacred and secular can meet in a mutually beneficial manner. He views it as an inroad to the Minnesota rich. Powers utilizes the course as a kind of demarcation line that underscores the incompatibilities between the modern and spiritual world. He does so in the most satiric manner, when he has Father Urban struck in the head by his own bishop’s errant golf shot. The incident immediately drains the bishop of his enthusiasm for proprietary projects and Father Urban of his customary zeal.
Thwaite estate. Rural home of Mrs. Thwaite, a wealthy and invalid benefactress of the Clementine order, where Father Urban convalesces. Once he is outside the confining environment of St. Clement’s Hill and ensconced in the estate’s palatial surroundings, his thoughts turn to more worldly matters, particularly his fondness for fashionable office space. His stay at Mrs. Thwaite’s estate allows him time to ponder where he might have been–“in some kind of business you could breathe in, perhaps heavy machinery, much of it going overseas–operating out of a spacious office on Michigan Avenue–with a view of the lake.” Earlier in the novel, a prestigious office site had been donated to the Clementines as a result of Father Urban’s efforts. However, his idea to decorate it with luxurious furnishings as a lure to wealthy visitors is squelched by his superior. The office as a dual symbol of commercial success and unbridled greed is effectively utilized by Powers to demonstrate the recurring theme of conflicting priorities.