Asterisk denotes entries on real places.
Ismarus (is-mahr-as). Village on the southern coast of Thrace and home of the Cicones, a savage Thracian tribe whose women are believed to have attacked Orpheus and dismembered him. At Zone, near this village, mountain oaks grow in an unusual formation after dancing to Orpheus’s music–an example of how the story explains unusual geographic features found at Zone.
Hades (hay-deez). Underworld realm of the dead ruled by Queen Persephone and King Hades. Orpheus’s journey to Hades dramatizes his immense talent as a poet, as he soothes the tortures of the damned, the terrible, and the dead. His songs even mollify the king and queen of the underworld. In some versions of this story, after Orpheus returns from the underworld, he shares with his followers his newfound knowledge of the dead, and of the salve that poetry and song can bring to the deep wounds memory or “looking back” can cause. Eventually, Orpheus joins Eurydice in the underworld; happy at last, they wander through the fields together.
Acherusia (ak-ah-REW-see-ah). Lake on the border of ancient Pontus, a strip of land along the southern edge of the Black Sea in Asia Minor that was supposed to have been surrounded by hot, steaming mud. Orpheus is said to have traveled to this appropriately ugly and uninviting place in order to enter the underworld.
*Pieria (pee-er-ee-ah). Mythical home of the Muses, located near the village of Vergina in northern Greece. As the home of the goddesses of the arts, including poetry and music, Pieria is an appropriate place to bury the body of Orpheus.
Libethra (li-beh-thra). Ancient city at the foot of Mount Olympus, the home of the gods, where the fragments of Orpheus’s body were buried. It is said that nightingales sang more sweetly over his grave than in any other part of Greece.