Madame Pace’s shop. Attractive women’s shop with a table, racks of women’s cloaks, and hats that in act 2 is a front for procurement. The play’s stage becomes a mental platform on which the Step-daughter and Father insist on reliving their true feelings and actions, much to the chagrin of Leading Lady and Leading Man, who perceive, as artists, their own interpretation as more valid. Audiences must decipher which is more “real”–the never-changing illusion or the universal human tragedy. Readers, too, must examine their own selves in the process and must question their own philosophical-moral-aesthetic beliefs.
Out-of-doors. Location of the third act, which is a naturalistic one with a backdrop of trees with one or two wings and a fountain basin. It can be any time or place. The Child is found drowned in the fountain; the Boy, hiding behind the trees, fires a revolver. The play’s manager-author, like Pirandello the dramatist himself, becomes agitated with conventions and closure and with the uncertainty of reality, shouting: “To hell with it all! Never in my life has such a thing happened to me. I’ve lost a whole day over these people, a whole day!”