Asterisk denotes entries on real places.
*New
Garden District mansion. House in which all the action of this short play occurs. The mansion is described in Williams’s stage directions as a house in the Gothic style. The word gothic is of particular significance, since the setting, the action, and at least one of the characters put the play in the tradition of Southern gothic literature. Its strange configuration as described by the playwright–a house with a tropical garden–is the perfect setting for the disturbing story and story-within-the-story that unfolds in the drama. There is a decadent and terrifying air about the place, its steamy unworldly atmosphere filled with carnivorous plants such as the Venus flytrap.
This eerie and menacing setting, which according to Williams was inspired by the movie The Big Sleep (1946), a film noir detective story, is meant to underscore the horror of what has happened to Sebastian Venable and Catherine and what fate may await Catherine. It is also the perfect backdrop for the character Violet Venable, a society matron seemingly lacking in compassion for anyone other than her son and herself and willing to sacrifice her niece to prevent the truth’s being told. There are also lengthy references to other sinister locales: the Encantadas, to which Sebastian and his mother traveled; Cabeza de Lobo, where Sebastian died; and Lion’s View, the psychiatric hospital where lobotomies are performed.
*Garden District. Section of New Orleans founded by the American settlers early in the nineteenth century after the United States had purchased the Louisiana Territory from France. The area was inhabited mostly by descendants of British immigrants and so was at odds with the old French Quarter, inhabited by Creoles, the descendants of French and Spanish settlers. An immediate animosity between the Creoles and the Americans developed at the time of the Louisiana Purchase, and the two areas were always disparate in architecture and the character of their inhabitants. The name “Garden District” derives from the fact that the American settlers wanted front yards, which were virtually nonexistent in the Quarter. Often they turned those yards into gardens, though probably none like the one in this play.
In later years, the Garden District became the center of the socially elite New Orleanians, and the French Quarter, or Vieux Carre, after an exodus of the Creoles, became more or less a slum before it was taken over by artists and writers in the 1920’s and became a bohemian enclave. Thus when Catherine says that she came out in the French Quarter before she made her debut in uptown society, she is identifying herself with that raffish area and its outcast population and distancing herself from the social world of Violet Venable.
The importance of the Garden District in this play is indicated by the fact that Suddenly Last Summer was printed with another play, Something Unspoken, under the combined title Garden District (1959), and the two plays are often performed in tandem.