Asterisk denotes entries on real places.
Royal courts Marlowe sets most of the action in Tamburlaine the Great in the imperial court of Persia, and in the courts of the king of Arabia, the king of Jerusalem, the governor of Damascus, the king of Hungary, and the governor of Babylon, among others. The courts are the scenes of political duplicity, at which characters boast about their strength and plot the overthrow of their enemies. They are also places where the specter of Tamburlaine continually gains substance, as his military conquests bring him closer to controlling all of Asia. Throughout the play, Marlowe uses court settings to reveal the human and political dimensions of his characters. He does not stage the many battle scenes in the play. Rather, he emphasizes the forces that shape his character’s decisions and the consequences of those decisions.
Tamburlaine’s camps. As he moves through Asia, conquering Persia, Damascus, Turkey, and North Africa, Tamburlaine is generally depicted throughout the play in his camps near the sites of his many military victories. Marlowe portrays Tamburlaine’s valor as a soldier and his vicious cruelty as a tyrant, not on battlefields, but rather in the personal settings of his military camps. There, Tamburlaine gives way to the mitigating influence of Zenocrate, the daughter of the Soldan of Egypt, with whom he is in love.
In the second part of Marlowe’s play, the death of Zenocrate removes the last restraints on Tamburlaine’s lust for blood and power. He then demonstrates his brutality by humiliating and murdering his enemies, who include his own son Calyphas, whom he kills. As with the imperial courts of the kings of Asia, Tamburlaine’s camp provides an intimate portrait of the forces that contribute to his rise and fall as the king of Persia.