Asterisk denotes entries on real places.
While St. Paul was living in Ephesus, he wrote his Epistle to the Ephesians, which makes strong statements about marriage and domestic relations–themes that are at the core of Shakespeare’s play. St. Paul described Ephesus as a place of sorcery and exorcists–a description that match’s the play’s depiction of the city as a “town full of cozenage” with “sorcerers” and “witches.” It is an apt location for the farcical confusions that arise from the twin masters (Antipholus of Syracuse and Antipholus of Ephesus) and twin servants (Dromio of Syracuse and Dromio of Ephesus); Doctor Pinch tries to exorcise Satan and cure madness. In contrast, Aegeon accepts the enmity between Ephesus and Syracuse and his sentence of death. Only humility and submission to God’s will suffice in a world of human errors.
The play features four locations within Ephesus: the houses of Antipholus of Ephesus (Phoenix), the courtesan, and the Priory; and the street–a fluid space for the frenetic encounters in which identities are mistaken as all assume acquaintance and prior actions. The setting was especially effective on Elizabethan stages, which had large open spaces with two pillars, entry doors, and an upper stage.
*Syracuse. City in southeast Sicily founded by Greeks in the eighth century b.c.e. At the time in which this play is set, Syracuse and Ephesus were enemies and it was forbidden for citizens of one land to journey to the other–a point around which the play’s plot revolves. The penalty for the crime was execution or a payment of a thousand marks. Aegeon, a merchant of Syracuse who has recently traveled to Ephesus, is to be put to death because he cannot raise the thousand marks.