Asterisk denotes entries on real places.
*St.
Because St. Petersburg is near the Arctic Circle, it has an extreme seasonal variation of its day-night cycle. During the winter, the sun scarcely peeks above the horizon, giving only a few hours of daylight each day. By contrast, at the summer solstice the sun barely sets, and even at midnight the sky remains bright, creating the fabled “white nights” for which St. Petersburg is famous. It is significant that Fyodor Dostoevski has Prince Myshkin’s second and third arrivals in St. Petersburg (when he returns from his visit to Moscow and the traditional Russian heartland, and his disastrous return to find Nastasia Filipovna murdered) take place during the white nights. Dostoevski plays upon the idea that this period of nighttime light is a period in which the normal laws of nature are tenuous at best and can even be suspended.
Dostoevski follows an established Russian literary tradition that regards St. Petersburg as a city in which extraordinary and unnatural events take place. For example, Alexander Pushkin’s “The Bronze Horseman” has the equestrian statue of Peter the Great come to life, and in Nikolai Gogol’s “The Nose,” the protagonist’s nose absconds, assumes human form, and reaches a rank higher than that of its former owner. Since Dostoevski is writing realistic fiction, he does not include such fantastical elements, but the madness that leads Parfen Semyonovich Rogozhin to murder Nastasia Filipovna would be understood by Russian readers familiar with the white nights.
*Pavlovsk (pahv-LOFSK). St. Petersburg suburb visited by Prince Myshkin. This suburb, in which the czars had a palace as a vacation retreat, was also the terminus of the first Russian railroad. Myshkin and several of the other major characters retreat there in chapters in the middle of the novel.
Dr. Schneider’s institute. Facility in Switzerland where Prince Myshkin is treated for epilepsy, and to which he returns after his disastrous breakdown. The institute and the village in which it is located are seen only in Myshkin’s recollections, which reveal his otherworldly saintliness through his ability to forgive and love the fallen woman, Marie.