River
Cave. Rudimentary shelter provided by an overhang on a cliff that is a summer home for the Neanderthals. Their sense of coming home when they arrive at the cave is palpable, and each member of the family group has a regular place within the cave. It is here that Mal dies, despite being cared for by the whole group, and he is buried by the fire. This scene demonstrates not only the gentleness of the Neanderthals, but also their sense of ritual and belonging, which they themselves cannot fully articulate.
The moment the newcomers raid the Neanderthal cave, killing two members of the family, not only marks the intrusion of violence into the family but also symbolizes the destruction of the Neanderthals’ world. Once their carefully nurtured fire has been extinguished, they have no home left.
Island. Island in the river that the Neanderthals cannot reach because they are afraid of crossing water. However, the new race of humans are more sophisticated tool users and fashion boats from hollowed-out tree trunks that they use to make the island their first camp. The island therefore becomes a symbol of the technological superiority of the new people, as well as the threat they pose to the Neanderthals.
When two of the Neanderthals manage to get onto the island, they see many of the things that will help the new people conquer the world: They wear clothing, build rudimentary huts, practice organized rituals and dances, and use alcohol. Above all, they exhibit the beginnings of social organization, with the emergence of figures who might be formal leaders or shamans. None of these things is known to the Neanderthals, and in the long scene in which the two primitive groups are contrasted Golding shows not only the beginnings of modern human society, but also a moment in which innocence is lost–a recurrent theme in his fiction.