Last reviewed: June 2017
Novelist
June 6, 1875
Free City of Lübeck, German Empire (now Lübeck, Germany)
August 12, 1955
Zurich, Switzerland
Thomas Mann, regarded by many critics as one of the outstanding novelists of the twentieth century, was born Paul Thomas Mann in Lübeck, Germany, to Johann Heinrich Mann, a grain merchant and senator of Lübeck, and Julia da Silva-Bruhns Mann, the daughter of a German planter in Brazil and his Portuguese Creole wife. Thomas Mann had two brothers and two sisters; both sisters committed suicide, Carla in 1910 and Julia in 1927. The eldest child of the family, Heinrich Mann, became a distinguished novelist himself. As a child, before his school days, Thomas enjoyed a prosperous and relaxing family life; he loved the seaside holidays at Travemünde and knew the comfortable security of German bourgeois life.
Mann's father wanted him to become a grain merchant like himself. The boy was sent to a military school, where he was thoroughly unhappy. When Mann was fifteen, his father died suddenly from blood poisoning. The business failed, and Mann’s mother took his brothers and sisters to Munich, where he rejoined them after completing his studies. In Munich he was a fire-insurance clerk. He sold his first story, “Gefallen” (Fallen), the story of a fallen woman, in 1894. Thomas Mann
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Thomas Mann
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When he tired of business life—after a year—Mann attended lectures at the University of Munich, auditing courses without officially matriculating. When his brother Heinrich suggested that Mann join him in Rome, he welcomed the suggestion. The brothers lived in Palestrina, where Mann began his first novel, Buddenbrooks: Verfall einer Familie (1901; Buddenbrooks, 1924), the book that would make him famous and contribute to his winning the Nobel Prize in Literature in 1929. The novel portrays a merchant family, and the society of which it is a part, with all its pretenses and weaknesses. Nevertheless, the young writer, faithful to his own experience, was not entirely scornful of that society and regarded the members of it as fundamentally worthwhile.
While Mann was still in Rome, his first volume of short stories, Der kleine Herr Friedemann (The little Mr. Friedemann, 1898), was published. He returned to Munich and joined the staff of the journal Simplicissimus but resigned before completing Buddenbrooks, on which he continued to work. The book was completed after two and a half years of work and was published at the end of 1900 (with the date 1901). Although the novel did not receive immediate critical attention or popular success, it soon gained momentum and by a year after its publication its young author was famous. The short work Tonio Kröger (1903; English translation, 1914) helped secure his reputation. In 1905 Mann married Katja Pringsheim, the daughter of a mathematics professor. The couple had six children; of them, Erika Mann achieved success as a war correspondent and actor, and the eldest son, Klaus, distinguished himself as a writer.
Mann’s second full-length novel, Königliche Hoheit (1909; Royal Highness, 1916), the result of an attempt to write a comic novel, was not as well received as Buddenbrooks, but Mann’s status as a novelist was not diminished. From his experiences in Venice with his wife in 1911 he gained the emotional impressions that he used with haunting effect in his famous novella Der Tod in Venedig (1912; Death in Venice, 1925). This work is characteristic of the decadent, morbid, poetic, and ironic stories and novels that Mann would produce, intermittently, until the new constructive phase marked by the Joseph novels. In a lesser writer the combination of the decadent and the creative would have been not only impossible but also, if attained, perhaps objectionable. However, Mann’s control gives the material a distinctive dark charm that makes it fascinating. It is generally agreed that this tension in Mann’s works is a result of his suppressed sexuality. Although he sustained a marriage, he was celibate much of his life and expressed his tightly contained homosexuality and political beliefs through his fiction.
Mann’s outstanding work of this early period derives from visits he made to his wife while she was a tuberculosis patient in Switzerland. The novel Der Zauberberg (1924; The Magic Mountain, 1927) is both the story of a young man attempting to resist the morbid atmosphere of a tuberculosis sanitarium and, on another level, an evaluation of the morbid character of Western civilization prior to World War I. Despite its length and complexity, The Magic Mountain is regarded by most critics as Mann’s best novel.
Although Mann was not directly involved in World War I and tended to accept the view that the artist must keep free of political matters, as time went on he became more and more involved in the political life of his times, not as a politician but as a critic and as an apologist for the free, creative life. In 1933 his daughters in Germany warned him by telegram that he should remain in Switzerland, where he was vacationing with his wife; they wired that the “housecleaning” would be too much for him. The Nazis burned his books and in 1936 deprived him of his German citizenship. In 1938 Mann moved to Princeton, New Jersey, and continued his work, much of it a criticism of contemporary Europe’s new dark age. In 1941 he moved to Pacific Palisades, California, and in 1944 he became a United States citizen. The cultural ties and charms of Europe continued to work on him, however, and he returned to Europe to settle in Switzerland. Before he died he had the satisfaction of finding that he had won new popularity in Germany, and he visited and lectured in both East and West Germany. He died of phlebitis in Zurich on August 12, 1955.
Although Mann is one of the most widely read authors of the twentieth century, his intellectually deep and stylistically formidable novels, short prose, and essays present difficulties to many readers. Nevertheless, the author gained wide popularity in both Europe and the United States, and he received numerous literary honors in addition to the Nobel Prize.